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Colin de Land (1955- 2003) was a New York art dealer who ran "Vox Populi", and then American Fine Arts, Co. De Land studied philosophy and linguistics at New York University and founded the Armory Show. He was married to art dealer Pat Hearn. De Land opened Vox Populi, opened in 1984, on East Sixth Street in the East Village. De Land renamed the gallery American Fine Arts, Co. In 1986, it moved the space to 40 Wooster Street. Colin was an early supporter of Andrea Fraser, Cady Noland, and Mark Dion. De Land regularly had art theory and history classes for art collectors. Art Club 2000, a six-member collaborative made up of recent cooper union grads, formed in 1992 in cooperation with de Land. Art Club 2000 would have a show annually at American Fine Arts Co. for the next seven years.〔http://www.zingmagazine.com/issue19/fuentes.html〕 In his obituary Roberta Smith wrote, "he was known for his relaxed work habits and even more relaxed art installations, which did not all open on time, as well as an insistent sartorial style that presaged the ''white trash'' look. At times he exhibited fictive artists, like John Dogg, whose work was widely assumed, but never confirmed, to have been made by Mr. de Land and the artist Richard Prince."〔 *http://www.nytimes.com/2003/03/06/arts/colin-de-land-47-art-dealer-who-fostered-experimentation.html〕 In 1996 after 10 years together de Land's wife, art dealer Pat Hearn was diagnosed with cancer. De Land co-organized a benefit art sale to raise money for medical expenses that were not reimbursable by insurance. Over 300 artist and dealers donated work to the event. The funds generated from the event would start what is now the Pat Hearn and Colin de Land Cancer Foundation, a not-for-profit whose mission is to provide assistance for medical expenses to members of the visual arts community with cancer. After Hearn’s death in 2000, the de Land and the 2 remaining founders of The Armory Show established The Pat Hearn Acquisition Fund at The Museum of Modern Art, New York, for the sole purpose of acquiring works in all media by artists who, in the opinion of the Museum’s curators, have not received the recognition they deserve. Upon de Land's death, in 2003, the surviving founders asked that the fund be renamed to include Colin.〔http://www.phcdl.org/articles/patcolin_article1.pdf〕 The American Fine Arts Co. and Pat Hearn Gallery collections were acquired by The Center for Curatorial Studies at Bard College, in Annandale-on-Hudson, N.Y.〔http://observer.com/2012/11/ccs-bard-acquires-archives-of-colin-de-lands-american-fine-arts-and-the-pat-hearn-gallery/#ixzz3TJOFQ8Ox〕〔http://www.bard.edu/ccs/2012/11/08/ccs-bard-library-and-archives-announces-the-acquisition-of-the-archives-of-colin-de-land%E2%80%99s-american-fine-arts-co-and-the-pat-hearn-gallery/〕 In addition, the Colin de Land papers are held at the Smithsonian Archives of American Art.〔http://www.aaa.si.edu/collections/colin-de-land-collection-13702〕 De Land is the subject of the book "Colin De Land, American Fine Arts Co.". The book features photos from de Land's archive as well as statements from over 50 artists〔http://www.bookforum.com/inprint/015_01/2289〕 ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Colin de Land」の詳細全文を読む スポンサード リンク
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